PolysixEX: Component Modeling Technology (CMT Analog Modeling)Maximum Polyphony*1*2SGX-2: 100 voices*3
EP-1: 104 voices
HD-1: 140 voices
AL-1: 80 voices
CX-3: 200 voices
STR-1: 40 voices
MOD-7: 52 voices
MS-20EX: 40 voices
PolysixEX: 180 voices
1: In rare cases, when a large number of processor-intensive effects are active simultaneously (for instance, more than 14 O-Verbs), polyphony may be slightly reduced.
*2: A portion of the multicore processor in NAUTILUS is devoted to generating voices, and a separate portion is devoted to generating effects. NAUTILUS dynamically allocates the voice processing power between the engines as necessary. The quoted maximum numbers of voices apply when 100% of the voice processing power is devoted to a single engine.
*3: 100 dual-stereo notes (equivalent to 400 mono voices)Preset PCMRAM 496 MB / DISK 2.3G (ROM 1,771 Multisamples, 3,955 Drumsamples)Build-in Expansion PCM LibrariesEXs301: German2 D Piano
*4: The memory available for Sampling Mode will change based on the use of Expansion PCM libraries and User Sample Banks. Approx. 260 MB is available when shipped from the factory (When loading the file named “PRELOAD.KSC”).Wave Sequences598 User memory, 377 Preload
Support for stereo multisamples, synchronization of individual notes, and tempo-based settings.
SGX-2 Program
Premium PianoFull key stereo sampling, Chromatically sampled at up to 12 velocity levels, no looping.
Damper resonance and mechanical noise are reproduced.
Una Corda sample supportPCMEXs301 – German2 D Piano
12 velocity levels, includes Ambience Piano type/samples
EXs302 – Italian F Piano
12 velocity levels, no Una Corda samples
EXs303 – Japanese Upright U Piano
8 velocity levels
Exs304 – Prepared Piano
1-4 velocity levelsPiano Type128
(With the factory settings, the 64 varieties of EXs6: German D Piano, EXs7: Japanese C Piano, EXs12: SGX-1 Austrian D Piano, EXs17: Berlin D Piano do not produce sound. The options must be downloaded. (Those will be released at a later date.))Oscillator ControlDamper Resonance
Damper Noise
Mechanical Noise
Note Release
String Resonance
Una Corda
EP-1 Program
MDS Electric PianoTine and reed-type electric pianos powered by Multi-Dimensional Synthesis (MDS), and vintage effects.Electric Piano Model Types7
Tine EP I Early, Tine EP I Late, Tine EP II, Tine EP V, Tine EP DMP, Reed EP200, Reed EP200AOscillator ControlHarmonic Sound Level, Attack Noise, Level, Release Noise Level, Attack Brightness, Hammer WidthPanel ControlTine Type
Small Phase, Orange Phase, Black Phase, Vintage Chorus, Black Chorus, EP Chorus, Vintage Flanger, Red Comp, VOX Wah
HD-1 Program
Advanced Vector SynthesisControl oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope.StructureSingle: only OSC1, Double: OSC1 and OSC2.
Double mode lets you layer two completely separate synth voices, each with their own velocity-switched oscillator, dual filter, EGs, LFOs, etc.
Drums: One drum kit, Double Drums: Two drum kits.Oscillators8 velocity zones per oscillator, with switching, crossfades and layering
Each zone can play mono or stereo Multisamples or Wave SequencesFiltersTwo multi-mode filters per voices (low-pass, high-pass, band-pass and band-reject), Four-mode filter routings (single, serial, parallel and 24dB mode)DriverPer voice non-linear driver and low boost circuitEQThree bands, with sweep-able midModulationThree envelope generators, two LFOs per voice, common LFO, four key tracking generators, AMS (Alternate Modulation Source), two AMS mixersQuick Layer / Split function
EXi Program Common
Advanced Vector SynthesisControl oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector EnvelopeModulationCommon Step Sequencer, AMS (Alternate Modulation Source), Common LFO, 2 Key Tracking GeneratorsEQThree bands, with sweep-able midQuick Layer / Split function
AL-1 Program
OscillatorsUltra-low-aliasing oscillators, OSC1, OSC2, Sub-oscillator and noise generator; ring modulation, FM and SyncAudio InputExternal audio can be processed through the ring modulator, filter, driver, amp, and EQFiltersTwo multi-mode filters (low-pass, high-pass, band-pass and band-reject) with four types of filter routings (single, serial, parallel and 24dB mode), Multi Filter mode (only Filter-A; modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects)DriverPer-voice non-linear driver and low boost circuitModulationFive Envelope generators, four per-voice LFOs, two AMS Mixers; Per-voice Step Sequencer
CX-3 Program
Tonewheel Organ ModelingPhase-synchronous tonewheels (clean and vintage modes), percussion, key click, wheel brakeEX ModeFour additional, user-specified drawbars, and expanded percussionInternal EffectsRotary speaker, vibrato/chorus, amp modeling with overdrive, 3-band EQDrawbar ControlControlled via nine front-panel sliders (via Tone Adjust)SplitUpper, Lower (even in EX mode)ModulationTwo AMS mixers
STR-1 Program
Physically Modeled StringIncludes physically modeled damping, decay, dispersion, nonlinearity, harmonics, dual pickups, and more. Most string parameters can be controlled in realtimeString ExcitationThree independent excitation sources can be used simultaneously: Pluck, Noise, and PCM. 16 preset “pluck” types, with modulatable width and randomization. Noise generator with saturation and dedicated low pass filter
PCM Oscillator
KORG’s ultra-low-aliasing technology, as introduced in the HD-1; 4 velocity zones per oscillator; Uses any mono Multisamples, including ROM, EXs, User Sample Bank, or Sampling Mode. Supports Virtual Memory.
Excitation Filter
Dedicated 2-pole multimode filter for shaping the string excitation. Filter can be enabled/disabled separately for each excitation source. Low Pass, High Pass, Band Pass, and Band Reject modesAudio Input and FeedbackRun real-time audio through the string, including feedback through effects. Modeled feedback includes modulate-able instrument-to-amp distance and orientationFiltersDual multi-mode filters per voice; Single, Serial, Parallel (with split stereo output), and 24dB (4-pole) configurations. Low Pass, High Pass, Band Pass, and Band Reject modes
Multi Filter Mode (Filter A only)
Modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effectsModulation5 Envelopes, 4 per-voice LFOs, 2 Key Track generators, String Tracking generators, 4 AMS Mixers
MOD-7 Program
Waveshaping VPM SynthesizerCombines Variable Phase Modulation (VPM), Waveshaping ring modulation, PCM sample playback, and subtractive synthesis; Able to convert-load SYX filesOscillators6 VPM/Waveshaper/Ring Modulation Oscillators
Phase and modulatable pitch per oscillator. 101 Waveshaper tables plus modulatable Drive and Offset. Use as oscillators, or as Waveshapers or Ring Modulators for other signals
PCM Oscillator
KORG’s ultra-low-aliasing technology, as introduced in the HD-1. 4 velocity zones per oscillator.Uses any mono Multisamples, including ROM, EXs, User Sample Bank, or Sampling Mode. Supports Virtual Memory
Noise Generator (With saturation and low-pass filter function)Audio inputRun real-time audio through the VPM Oscillators and filters.FiltersDual multi-mode filters per voice. (Low Pass, High Pass, Band Pass, and Band Reject modes) , Two types of filter looping (Parallel and 24 dB “4-Pole”)
Multi Filter mode (Filter A only)
Modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effectsPatch PanelSupports both preset algorithm (78 types) selection and free patching.Three 2-in, 1-out mixers for scaling and merging audio, fully modulatable, with phase inversion. Main 6-input stereo mixer, with modulatable pan and volume, plus phase inversionModulation10 Envelopes, 4 per-voice LFOs, 9 Key Tracking generators, Per-voice Step Sequencer, 4 standard AMS Mixers plus 4 simple AMS Mixers
MS-20EX Program
OscillatorsUltra-low-aliasing oscillators; VCO1, VCO2, Ring Mod, Pink and White Noise GeneratorAudio InputRun real-time audio through the synthesis engine and ESP (External Signal Processor)Filters12dB/octave High Pass and Low Pass self-resonant filters
ESP section
24dB/octave Low Cut and High Cut filters, available per voice.Patch PanelPatchable audio and modulation, at audio ratesPatch PointsKeyboard
Keyboard CV Out, Keyboard Trigger Out, VCO1+VCO2 CV In, VCO2 CV In
VCO
VCO1+VCO2 External Frequency Control In, VCO1 Out, VCO2 Out
VCF
External Signal In, External HP Filter Cutoff Frequency Control In, External LP Filter Cutoff Frequency Control In, HPF Out, LPF In, LPF Out
VCO+VCF
Total External Modulation In
VCA
External Initial Gain Control In, VCA In
EG
EG1 Envelope Signal Normal Out, EG1 Envelope Signal Reverse Out, EG1+EG2 Trigger In, EG1 Trigger In, EG2 Envelope Signal Reverse Out
MG
Triangle Out, Rectangle Out
Noise Generator
Pink Noise Out, White Noise Out
Sample and Hold
Clock Trigger In, Sample Signal In, S/H Out
Modulation VCA
Control Voltage In, Signal In, Signal Out
Manual Controller
Control Wheel Out, Momentary Switch
ESP
Signal In, AMP Out, BPF In, BPF Out, F-V CV Out, Envelope Out, Trigger Out
Others
EXi Audio In, Mixer 1 In, Mixer 1 Out, Mixer 2 In, Mixer 2 OutESP (External Signal Processor):Use incoming audio as a trigger and/or CV sourceModulationOriginal DAR (Delay, Attack, Release) and HADSR (Hold, Attack, Decay, Sustain, Release) EGs 1 &2, Original MG (with MIDI sync), Sample-and- Hold, MVCA, NAUTILUS: 4 additional multi-stage Envelopes, 4 additional per-voice LFOs, and 4 AMS Mixers.
PolysixEX Program
OscillatorsVCO
Saw, Pulse, PWM
Sub Oscillator:
Off, 1 octave below, 2 octaves belowFilter24dB(4-Pole) Octave Low Pass self-resonant filterEffectsIntegrated Polysix Chorus, Phaser, and EnsembleArpeggiatorIntegrated MIDI-synced arpeggiator, with adjustable Range, Mode, and LatchModulationPolysix
Number of Timbres, Master Keyboard Functionality16 Maximum
Keyboard and velocity splits, layers, and crossfades of up to 16 Programs and/or external MIDI Devices
The tone adjust parameter function lets you modify program settings, and the master keyboard function lets you control external MIDI devicesAdvanced Vector SynthesisControl oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector EnvelopeQuick Layer / Split function
Drumkit
Assignable stereo/mono samples with 8 velocity zones per oscillator (with crossfade functions)
Number of Programs/Combinations/Drum kits
User Memory Programs2,560 (1,920 [1,280 HD-1+640 EXi] come preloaded)User Memory Combinations1,792 (256 come preloaded)User Memory Drum Kits264 (104 come preloaded)256 GM Level2 preset programs + 9 GM Level 2 drum preset programs
Set List
Number of Set Lists/Slots128 set lists, 128 slots per set list
Each set list provides a 9-band graphic EQ, and a Tone Adjust function that allows program settings to be adjusted
Transpose setting
Hold Time setting of Smooth Sound Transition (SST) supported for each slot
Sampling
SystemOpen Sampling System (resampling, In-Track sampling)Bit Depth/Sampling FrequencyRAM
16-bit/48 kHz stereo/mono sampling
DISK
16 or 24-bit/48 kHzSampling TimeRAM
Depends on the amount of available PCM RAM
DISK
Maximum 80 minutes stereo (879MB: 16bit)Sample Locations16,000 samples/4,000 multisamples (128 indexes per multisample)FormatsKORG format, AKAI S1000/S3000 data (with advanced Program parameter conversion); SoundFont 2.0, AIFF, and WAVE formatsEditingTime Stretch, Time Slice, Crossfade Loop, and other standard editing features.
Effects
Insert Effects12
Stereo in / stereo outMaster Effects2
Stereo in / stereo outTotal Effects2
Stereo in / stereo outTimbre EQOne 3-band EQ for each timbre/trackEffect Types197ModulationDynamic Modulation and Common LFOEffects Control BussesStereo side-chaining for compressors, gates, vocoders, etcEffect PresetsTotal 783 preset, Maximum 32 per 1 effect (Preset User)
Arpeggiator
Arpeggiator ModulesOne module in Program mode, two modules in Combination and Sequencer modesArpeggio Pattern5 presets + ARP A 2,048 slots (1,593 come Preload) + ARP B 128 slotsControllersOn/Off, Latch, Gate, Velocity, Length, Swing, Tempo
Drum Track
Preset Patterns1,272 (common with the preset patterns of the MIDI sequencer)User Patterns1,000
Patterns created in Sequencer mode can be converted to drum track user patterns.Trigger Mode/ Sync / Zone / Swing, Drum SD, Tempo settings can be specified.
Sequencer / HDR
Tracks16-track MIDI sequencer + 16-track hard disk recorder + 1 master track.Number of Songs200Resolution1/480テTempo40.00 – 300.00 (1/100 BPM resolution)Maximum Memory400,000 MIDI events or 300,000 audio eventsMIDI Tracks16 tracks plus the master track, 697 preset / 100 user patterns (per song), 18 preset/16 user template songs,Audio Tracks16-track playback, 4-track simultaneous recording, WAV file format 16bit/24bit
Maximum Single-file Recording Time (mono): 80 minutes
Automation: Volume, Pan, EQ, and Send1/2
10,000 regions (max.)
Event Anchors, BPM AdjustOther FunctionsRPPR (Realtime Pattern Play and Record): 1 Pattern set per song
General
Disk ModeLoad, save, utility, data filer function (save/load MIDI System Exclusive data), CD-R/RW (UDF format read/write), ISO9660 Level 1.ControllersJoystick, Switches 1 & 2
Arpeggiator Control: On/Off, Latch, Gate, Velocity, Length, Swing, Tempo
DRUM TRACK: On/Off, Swing, Drum SD, TempoDisplayTouchView graphical user interface, 7 inch color TFT, WVGA (800 x 480 dots), adjustable brightnessPrincipal SpecificationsFrequency Response
20Hz-22kHz, +/-1.0dB, 10k Ω load
THD+N
20Hz-22kHz, 0.01%, 10k Ω load (typical)
S/N
95dB (typical)
Dynamic Range
95dB (typical)
Crosstalk
95dB, at 1kHz (typical)OutputsL/MONO, R, Individual 1-4
*2 USB high-speed ports (supports 480Mbps)Disk Drives60 GB SSD (2.5”)Power SupplyAC power supply terminal, Power switchDimensions: (W x D x H)88 key: 1,437 x 387 x 139 mm / 56.57” x 15.24” x 5.47”
73 key: 1,227 x 386 x 116 mm / 48.31” x 15.20” x 4.57”
61 key: 1,062 x 386 x 116 mm / 41.81” x 15.20” x 4.57”Weight88 key: 23.1 kg / 50.93 lbs.
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